![]() Now the question is- does this lack of belonging occur suddenly to just one person? Or, can it be possible that this sense of longing has its own lineage? Can Charlotte be entirely blamed for her irresponsibility as a mother? As mentioned earlier, Ingmar Bergman did not try to prove one superior over the other. The film, technically, through camera work, also captured Eva’s state of detachment with her staging in a frame-within-a-frame format at the beginning when she was writing the letter, thereby generating considerable distance from the camera, denoting her apprehensive nature and the state of loneliness and isolation. She suffered from inferiority in the presence of her mother- she lacked the power to feel ‘needed.’ She went through emotional turmoil because she could not live up to her mother’s expectations, losing her first child, Erik, whom she conceived at a young age. Harold Pinter wonderfully dealt with this concept of ‘home’ in his two-act play ‘The Homecoming (1964).Įva remained ‘unfamiliar’ with the surroundings and the environment, which was propagated by her mother. It is a shelter that anybody can provide with unhindered love and affection. Home is where one might feel ‘needed’ or ‘longed.’ A home does not need to be made from materials like a house is constructed. What is home? Nobody can offer any constructive definition of the word except that it may indicate certain senses: the sense of belonging, responsibility, familiarity, affection, and security. What this article began with might find its relevance here. This gap increased to an extent where they found it difficult to reconcile. Eva could not identify anything ambiguous from what Charlotte said: she was addressed ironically as a “darling little girl” when actually Charlotte was tired of her. She even went on to blame Charlotte for her ignorance and pomposity. She lacked the sense of belonging, affection, and love from her mother. Charlotte’s abandonment of motherhood caused Eva to bear this tedious process of growing up alone. Therefore, Eva became isolated- devoid of any love from her mother and could only find assistance from her father. In pursuing success, she vehemently neglected the essentials of the mother-daughter relationship, which strained her relationship with Eva. This dichotomy of fame and family is also recurrent in “Autumn Sonata.” Charlotte has always been this aspiring, ambitious pianist who only dreamt of achieving success in life: running towards fame, popularity, and recognition. ![]() While she went on to prosper and promote herself in society, Joyce, Marlene’s sister, had to take care of Marlene’s daughter, Angie, resulting in the loss of her unborn child from the stress. In that play, Marlene, an ambitious woman in order to be successful, refuses to take up the responsibility of her child and leaves her with her own sister. Charlotte and Eva’s conversation might remind one of a similar situation of estrangement in a famous play, ‘Top Girls’ (1982) by Caryl Churchill. What was considered a fruitful return and a possible joyous reunion after years of separation turns out to be a hostile encounter between Charlotte and Eva, as both try to assess their estranged relationship, unearthing painful secrets from the tumultuous past.īergman has craftily incorporated the vulnerability of the main characters without empowering one over the other, thereby not allowing the audience to penalize one and sympathize with the other. The story follows the return of Charlotte (Ingrid Bergman), a renowned classical pianist, to her daughter’s residence after seven long years upon receiving an invitation from her daughter Eva (Liv Ullman). It was written and directed by Ingmar Bergman and had Ingrid Bergman and Liv Ullman In the lead roles, portraying the problematic relationship of a mother and her daughter. ‘Autumn Sonata’ is a Swedish drama film released in 1978.
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